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The Complete Peanuts Volume 3: 1955-1956, by Charles M. Schulz
PDF Download The Complete Peanuts Volume 3: 1955-1956, by Charles M. Schulz
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Amazon.com Review
In 1955-56, the Peanuts gang may have still been in first grade (or lower), but the characters continue to grow into their distinctive and unmistakable personalities. Snoopy overcomes some embarrassment to reveal his talent for impressions (wolf, rhino, alligator, kangaroo, Violet, etc.) and his joyous dance-the-day-away attitude. Linus adopts the same attitude ("Five hundred years from now, who'll know the difference?") and continues to show his genius in such diverse activities as square balloons, snow sculptures, and air sketches, even though he has to resort to wishful violence against his bullying sister. Lucy, now a ripe old 4, has to face such concerns as the Earth being worn down by people's feet and whether Santa exists. And already concerned about getting married, she tries to divert Schroeder's attention from Beethoven either by logic (what's the sense in learning Beethoven sonatas if you don't win a prize?), by sympathy ("My favorite piece is Bach's Toccata and Fugue in Asia Minor"), or by violence, and pulls away the football from Charlie Brown for the first time (December 1956). She also teaches her brother "little-known facts" about the world (palm trees were so named because people can fit their hand around them), which gives Charlie Brown stomach aches and formed part of the stage musical You're a Good Man, Charlie Brown. But she'll never lose an argument as long as she can end it with a well-placed insult. Such is the misery of Charlie Brown, who also has to endure his failure to fly a kite, his complete failure on the baseball diamond, and misery during any holiday. That he does endure, however, makes him one of the heroes of our time. The third volume of Fantagraphics Books' handsome Complete Peanuts series includes a foreword by Matt Groening and a Charles M. Schulz retrospective by Gary Groth. --David Horiuchi
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From Booklist
The uniform hardcover series reprinting all 50 years of the classic comic strip Peanuts continues. Many ingredients that would sustain the strip for a half-century are already in place, from Linus' dependence on his security blanket to Schroeder's rejection of Lucy in favor of Beethoven to Snoopy's efforts to impersonate other species. A few elements on view in this third volume in the series would soon vanish, however, such as Charlie Brown's loudmouthed counterpart, Charlotte Braun. On the other hand, a long-lasting device debuts when Lucy first snatches the football from Charlie Brown's impending kick. Only a few topical references--coonskin caps, Willie Mays, Howdy Doody--betray these strips' age. As Simpsons creator Matt Groening points out in the introduction, "there was nothing cutesy or condescending about the Peanuts gang." These early strips show that as well as timeless humor, it is such melancholic aspects as natural-born fussbudget Lucy's bitterness and Charlie Brown's frustrations over baseball, kites, valentines, and just about everything else he attempts that make them resound to this day. Gordon FlaggCopyright © American Library Association. All rights reserved
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Product details
Series: The Complete Peanuts
Hardcover: 344 pages
Publisher: Fantagraphics Books; 1st Edition edition (May 17, 2005)
Language: English
ISBN-10: 9781560976479
ISBN-13: 978-1560976479
ASIN: 1560976470
Product Dimensions:
6.6 x 1.4 x 8.4 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
50 customer reviews
Amazon Best Sellers Rank:
#86,099 in Books (See Top 100 in Books)
Schulz is a master so he earns five stars by default but there are some things you should know...* These are sadly all black and white, even the Sundays that were printed in color. Luckily, there is a second series of books that contains all the full-color Sundays. Just search for 'Peanuts Every Sunday'* Each volume contains a brief introduction by some famous fan of the strip. They're vaguely interesting but I've never bothered to read any of them all the way through.* If you're crazy anal as I am note that there are two slightly different versions. If you want them all to match on your shelf then take VERY careful note of the exact publisher and edition.* Finally, take careful note of the evolution of the series. The very early strips from the 50s are almost like a totally different strip. If buying for a gift, you might consider one of the later books in the series. Completists will want them all but if the receiver is on the fence then the 50s isn't the place to start.
First, 5 stars for these years of Peanuts. Wonderful stuff. In print, these Fantagraphics editions are a joy.However, on a Kindle Keyboard (using the default reading mode), the art is fuzzy. It's perfectly readable, but not sharp.The fuzziness can be fixed on the daily strips if you don't mind the inconvenience of switching from "fit-to-screen" to "actual size." The "actual size" panels are sharp because they're meant to be shown at half the size of the screen.The inconvenience of this solution comes with the Sunday comics, where "actual size" cuts off the right side of every first panel. Shall I switch back to "fit-to-screen" for one panel, and interrupt my reading? Arrgh — fuzziness! Yet if I switch to "actual size," the other panels of the Sunday strips are still fuzzy. Sigh.I'm disappointed that the Kindle version is not more crisp — I bought this in order to study and enjoy each panel of Charles Schulz's work closely. However, I'm very glad to have such a portable and complete edition of Peanuts. Hence, 3 stars: an okay edition that I hope is improved someday.(On a side note about Kindle comics, it annoys me that I can't use bookmarks. In a comic like this with hundreds of pages, bookmarks would be very welcome.)
When I read the comics page in the newspaper, I find some good strips and some bad ones. Often the most annoying are what I call "institutional" strips: they haven't been funny in years or even decades, but they've become institutions and no one is willing to get rid of them. Peanuts, however, was always something of an exception: it was an institution, but it remained decent, even if in later years it was not quite the same caliber as it once was. There's a reason that modern comic artists (for example, Matt Groening in this volume) write glowingly about Peanuts; it was good. I doubt there is similar appreciation for Marmaduke, Heathcliff or Momma.The comic strips in this volume are fifty years old, yet with limited exceptions (such as references to Davy Crockett hats), they fit just as well today. Some of the characters have disappeared over the years: what every happened to Patty, Violet or Shermy (or the loud-talking Charlotte Braun)? Other characters have yet to appear, significantly Peppermint Patty, Woodstock and Sally. But the core characters are here in this book, with their identities still evolving.Snoopy is beginning to develop his alternate identities, practicing with being various animals (pythons, alligators, etc.) which will (in future volumes) develop into full-blown alternate personalities such as Joe Cool and the World War I Flying Ace ("Curse you, Red Baron!"). Lucy is a world-class fussbudget filled with incorrect information that she loves to impart to others. Linus still has his bursts of childishness, but is showing the signs of his budding genius, able to erect massive snow forts and blow up square balloons.In the end, however, it is Charlie Brown who is the centerpiece of this comic, the ultimate hard luck character who the world seems to conspire against; the other kids often treat him poorly and even things like kite-flying go awry when he does it. It is the Lucy-Charlie Brown relationship that causes the most aggravation for our hero; a typical series of strips will have Lucy debating an issue with him and instantly changing the subject as soon as she is proven wrong.Deceptively simple in their presentation, the Peanuts strips actually is filled with dark humor and angst. Yes, the only characters are kids (and a dog), but Schulz never relies on cuteness. Both fun and funny, this is a worthwhile read for both children and adults.
I love the Peanuts and early Snoopy is dope. Schulz expresses so much in so few lines, it's nicely abstracted and iconic, and the stories are nearly always entertaining and funny... although dated just as often as they aren't. Plus it's a more interesting way to while away the otherwise idle minute than watching cat videos...
Stay away from Vol. 3 on Kindle. It's heavily cropped and can't be viewed in landscape (the portrait mode is just shrunk to fit landscape vertically, making it even smaller and illegible?!). I'm so dissapointed in this after enjoying the first two volumes in landscape mode, which was very comfortable. I don't understand why the publisher would change the formatting to this. I won't be buying anymore of these on Kindle for fear of the same issue. $20 wasted.
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