Senin, 17 April 2017

PDF Ebook Neither Physics nor Chemistry: A History of Quantum Chemistry (Transformations: Studies in the History of Science and Technology)

PDF Ebook Neither Physics nor Chemistry: A History of Quantum Chemistry (Transformations: Studies in the History of Science and Technology)

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Neither Physics nor Chemistry: A History of Quantum Chemistry (Transformations: Studies in the History of Science and Technology)

Neither Physics nor Chemistry: A History of Quantum Chemistry (Transformations: Studies in the History of Science and Technology)


Neither Physics nor Chemistry: A History of Quantum Chemistry (Transformations: Studies in the History of Science and Technology)


PDF Ebook Neither Physics nor Chemistry: A History of Quantum Chemistry (Transformations: Studies in the History of Science and Technology)

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Neither Physics nor Chemistry: A History of Quantum Chemistry (Transformations: Studies in the History of Science and Technology)

Review

This is a first-rate book co-authored by the two leading experts in the history of quantum chemistry. They have achieved a detailed and complete interpretive synthesis which should stand for many years as the definitive book on the subject.―Mary Jo Nye, Horning Professor in the Humanities and Professor of History Emerita, Oregon State UniversityThis book by Gavroglu and Simões is a masterful investigation of the constitution of a new scientific discipline that is 'neither physics nor chemistry.' It is a book that cannot avoid becoming a standard work for a long time to come. It will be of great interest not only to historians and philosophers of science, but also to the large community of chemists.―Helge Kragh, Department of Science Studies, Aarhus University; author of Quantum GenerationsNeither Physics nor Chemistry is much more than a meticulously researched, authoritative history of quantum mechanical explanations of chemical structure. It is an insightful sociological and a commanding histriographical study of the formation of a modern new subdiscipline, quantum chemistry, and a searching examination of the impact that digital computers had on the field. It is also a highly instructive exploration of the consequences of these innovations for the culture of chemistry, and more generally for the philosophy of chemistry. It is a model for how to write the history of twentieth-century science, and Kostas Gavroglu and Ana Simões are to be commended for it.―S. S. Schweber, Koret Professor of the History of Ideas and Professor of Physics, Emeritus, Brandeis University

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About the Author

Kostas Gavroglu teaches in the Department of History and Science at the University of Athens.

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Product details

Series: Transformations: Studies in the History of Science and Technology

Hardcover: 368 pages

Publisher: The MIT Press (October 7, 2011)

Language: English

ISBN-10: 9780262016186

ISBN-13: 978-0262016186

ASIN: 0262016184

Product Dimensions:

7 x 1 x 9 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#2,347,411 in Books (See Top 100 in Books)

This book presents the first in-depth historical analysis of quantum chemistry, a field that according to the title is neither physics nor chemistry. I am not sure how many practicing quantum chemists will agree on this view point, nevertheless the authors provide compelling support for their thesis. Soon after the advent of quantum mechanics (QM) in 1925, Walter Heitler and Fritz London wrote a landmark paper where they expounded the first quantum mechanical treatment of the chemical bonding in the hydrogen molecule (H2). Soon after many talented physicists and chemists joined the field and two competing theories took shape: on the one side the valence bond (VB) theory of Heitler-London-Slater-Pauling and on the other the molecular orbital (MO) theory of Mulliken and Hund. Applied mathematicians (Coulson, Hartree, and later on Pople) also contributed greatly to this new field along with many other colleagues from Europe, US, and Japan. In 1967, the Swedish physicist Per-Olov Lowdin established the International Journal of Quantum Chemistry (IJQC) which represented an important step toward the consolidation of this scientific discipline.The authors, both professional historians of Science, explain in great detail all the intricacies connected with the theoretical formulation of the above VB and MO theories, starting from the pre-QM work of Gilbert Lewis on the electron pair concept that appeared in 1916 up to the early 1970s when computers (mainframes) became available to many research groups around the world. There are, however, some important details that they left out as practicing computational quantum chemists will notice. A notable name that is not mentioned inside the book is that of Kenichi Fukui, founder of the frontier molecular orbital (FMO) theory, who shared with Roald Hoffmann the 1981 Nobel Prize in Chemistry. FMO theory (published in The Journal of Chemical Physics in 1952) is a spin-off of MO theory and, given its success in the interpretation of chemical reactions it should have been included inside the book. The frontier orbitals HOMO (highest-occupied MO) and LUMO (Lowest-unoccupied MO) are often displayed inside research papers up to these days.Another important omission is that of density functional theory (DFT), which is now so popular among quantum chemists (the Kohn-Sham equations were given in a Phys. Rev. paper in 1965 - Walter Kohn shared with John Pople the Nobel Prize in Chemistry in 1998). Also, the VSEPR (valence-shell electron pair repulsion) theory of Gillespie, a spin-off of Lewis's electron pair theory, and the Ligand Field Theory (LFT) applied to inorganic complexes of transition metal ions are not mentioned throughout the book. Hence, I rated this book with four stars.In spite of the above omissions, however, the book of Gavroglu and Simoes is very worth reading and it is hoped that it will stimulate further historical studies on this important field of research which, in my opinion, is nowadays fully integrated into Chemistry (QC chairs are hosted almost everywhere at the Chemistry departments of Universities).Hereafter follows a short list of errata:1) p. 225 and 231: 1988 -> 1998 (year of the Nobel Prize in Chemistry to John Pople)2) p. 230: to who -> to whom3) p. 236 (Fig. 4.4): Elections -> Electrons4) p. 324 (title of Primas' book): Reduction -> Reductionism5) p. 341 (Index): Hoffman -> Hoffmann

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Kamis, 06 April 2017

Download 101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal

Download 101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal

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101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal

101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal


101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal


Download 101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal

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101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal

About the Author

Cherril Doty is an artist, writer, and Director of the Sawdust Art Festival's Studio Art Classes in Laguna Beach, California. While she holds a masters degree in counseling psychology, the need to create has called, and Cherril followed her muse to try new forms and search possibilities. Mixed media represents the culmination of the search and is the process by which to achieve still more through teaching and experimentation. Visit www.cherrildoty.com to learn more.Suzette Rosenthal earned a BA in Art from California State University, Los Angeles. In addition to designing and producing a high-end line of knitwear, Suzette is drawn to collage, using textures and color to create visual interest. Isaac Anderson is a self-taught artist who's passion for photography has taken him on many journeys as documentary filmmaker. He has spent the last eight years in Southern California experimenting with photography, mixed-media painting and documentary filmmaking. Joe Martino spent many years teaching chemistry, anatomy, and marine biology, but he has always been an artist at heart. He was recently featured as one of Stark County's finest artists in the book Stark ARThology.Jennifer McCully is a graphic designer who expanded her horizon to include mixed media work. Her creative spirit can be seen on her bold canvases, which feature vibrant and simple objects that are energetic and inspiring. Her childlike creations evoke happiness, and her inspiration is drawn from practically anything. Jennifer is a full-time Etsy seller, operating four different shops.www.jennifermccully.comOriginally from a little beach town in Hawai'i called Kailua, Linda Robertson Womack is a nationallyrecognized artist, art instructor, and the author of Embracing Encaustic: Learning to Paint with Beeswax. She recently introduced a series of online encaustic classes bringing together a community of international artists at www.womackworkshops.com.www.lindawomack.comSamantha Kira Harding is an artist by accident, a writer by schooling, and an explorer by birth. Samantha teaches classes on journaling and the artful experiences of daily life, including "True to You," a workshop focusing on every day as fuel for journaling adventures. She has been published in Somerset Studio, Artful Blogging, Art Journaling and Cloth, Paper, Scissors.www.journalgirl.com

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Product details

Spiral-bound: 128 pages

Publisher: Walter Foster Publishing; Spi edition (January 1, 2014)

Language: English

ISBN-10: 1600583660

ISBN-13: 978-1600583667

Product Dimensions:

7 x 1 x 10 inches

Shipping Weight: 1.4 pounds

Average Customer Review:

4.6 out of 5 stars

99 customer reviews

Amazon Best Sellers Rank:

#67,353 in Books (See Top 100 in Books)

At first I thought I might send this book back; there is really not a lot of new material here and if you have a collection of this type of book, as I do, you will see many familiar techniques. It is, admittedly, called "fundamentals" and that is exactly what it is. Its STRENGTHS, however, are its organization (it is all sectioned out in artistic genres), its conciseness (all the directions are straight forward and brief), clear photos that show JUST the technique being taught and the hardback spiral binding for laying the book out on a table. As an artist and a teacher of art workshops, this is an excellent book to go to when looking to try something new but not complicated or create a good lesson quickly and easily.

When I read the reviews on this book and looked inside I was interested. When I received the book, now that's another story. When looking through the book online, I noticed that it helps you with background techniques for painting.Which is the reason for buying it in the first place. But once I had the book and looked through it, I noticed the book just skims through the surface of techniques and there wasn't any steps by step guidelines either. Just a brief explanation on what to do or how to do. I found only about three images showing the after effect of each technique the book spoke of. I felt confused because I wasn't sure it I was doing the techniques right.So, I'll go on YouTube and see if I find a video on the techniques mentioned in the book.I'm giving this book a 4 star only because there are really interesting things in it. But it lacks a step by step guideline for the reader to understand entirely.

Kinda dissapointed...Not much in it . Not much instruction. Just a glitsy book with photos and not very clear instructions...Would not recommend it...It does not go into very much detail which is what a person expects when they buy a book with"101" in the title. Pictures are pretty.....A little more instruction would have been a great asset to this book....

I own tons of books on mixed media art journaling etc. This one beats them all for the shear volume of ideas. Most books give you recipes on how to reproduce specific art works, This book give short ideas with just enough instruction to let you experiment. Clearly explained instructions, just enough pictures. No long monologues on the artists inner thought process or references to to personal successes philosophy or favorite recipes.

Love the book, but I like more step by step details. Sometimes the instructions are a bit hazy. I like the spiral binding. Let's the book lie flat to refer to when doing the mixed media art.

The book is interesting and several mixed media techniques are introduced, but I wanted more step-by-step instruction which this book does not give. Good book, just not what I was looking for.

I was hoping for more information about some fun new techniques. This is just a listing of all the old ones. Great for a beginning and a good resource if you want something to refer back to. Nicely done, jus not what I was looking for.

I bought this book because it had a lot of pretty pictures. It does provide short instructions on how to do different techniques. Maybe it would be better for someone who is a total beginner.

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101 Mixed Media Techniques: Master the fundamental concepts of mixed media art, by Cherril Doty Suzette Rosenthal PDF
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